johnhoustonstockton:

just wanna get rich enough to buy my mom all the shit she deserves 

sharpestrose:

catherineaddington:

I had kind of a nerd-out this morning. But I felt like everyone needed to know about this.

The way Marie Antoinette was so intent on controlling her image, and the extent to which she was violently punished for it, will always and forever me one of my keenest interests. 

think-thank-thunk:

Me flirting

think-thank-thunk:

Me flirting

thekimonogallery:

Jizo statues at Oohara Sanzen-in, Oohara, Kyoto, Japan

thekimonogallery:

Jizo statues at Oohara Sanzen-in, Oohara, Kyoto, Japan

strangeasanjles:

Fat Witch in Savannah, GA

c0ry-c0nvoluted:

Some random black ‘n whites. 

thesoftghetto:

niggawithablog:

locc-2dabrain:

krxs10:

why THE FUCK is no one talking about this

why isnt this on the news

we all know the reason why. stop the bullshit.

And this shit happened on May 18…MAY 8-FUCKING-TEENTH!

Story

artandscholarship:

The origin of the blog’s icon (in the bottom left corner): Haeckel, Ernst - “Discomedusae. Scheibenquallen.”

"For Haeckel, the illustration is not a depiction of existing knowledge, but is itself the acquisition of knowledge of nature. The truths of nature are seen. Accordingly, Haeckel’s "Art Forms in Nature" is not merely a set of examples, which with each detail reveals part of the whole. It demonstrates naturalness itself. (…) Knowledge of nature is "natural aesthetics." Accordingly, aesthetics are nothing more than reflections of nature itself. Nature, which develops out of and into itself, is "beautiful." (…)

Consequently, the pages of “Art Forms in Nature” took on a further dimension for Haeckel. The fact that the illustrations are “aesthetic,” beautiful, and that this beauty is found in the smallest facets of nature—such as unicellular organisms or in the medusae of the deep sea—demonstrated to Haeckel that one finds in the smallest living things what distinguishes, or what at least should distinguish, humans in their judgements: “spirit.” The beauty of these minuscule creatures revealed to him the natural quality of one of the largest forms of life—human beings. Hacekel maintained that to be part of nature is to be an element in and the result of the evolutionary process. Accordingly, the phylogeny of forms is simultaneously the phylogeny of the spirit.”

- Breidbach, Olaf. “Brief Instructions to Viewing Haeckel’s Pictures.” From the 2008 reprinting and compiling of Haeckel’s “Art Forms in Nature,” originally published between 1899 and 1904.

laughingloone:

new work and healed work with rose

mama-marley:

hoi—polloi:

lokicolouredglasses:

fandom-universe:

kungfucarrie:

The most dangerous phrase in the language is, “we’ve always done it this way.”

"Come on, let’s mix it up!" The heart surgeon says.

"B-but we’ve always done it this way!" The other replies, "this is how you replace a heart valve."

"That’s the most dangerous phrase in the human language!" The first surgeon replies haughtily as he inputs a fruit loop into the patient’s heart. "This will be his valve. He will be a fruit loop in a world of Cheerios."

(taken from this post on the experiments of Harry Harlow)

This is serious business, because this is a large part of how sexism, racism, homophobia, rape culture, ethnocentrism, etc. continue to happen.

Wow

Tom Ford S/S 2015 at LFW